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The Diverse Perspectives

Netflix's Startling New Zombie Flick Breathes New Life into a Stale Style

For the most part, I've had my fill of apocalyptic horror. Although classics like 28 Days Later and the early seasons of The Walking Dead proved gripping, the genre seems largely exhausted nowadays. Yet the highly anticipated 28 Years Later has been gathering dust in my watchlist for months. However, Netflix's latest Indonesian horror film, The Elixir, managed to defy what I anticipated and proved remarkably enjoyable.

Excellent Rhythm and Character Development

One of the film's greatest strengths lies in the excellent pacing. It begins with a striking opening sequence where a peaceful family party is violently disrupted by a vehicle crashes right into the guest area. Out of the van, a very zombie-like individual stumbles out proceeding assaulting the partygoers. This dramatic scene is then succeeded by a look back, giving viewers to observe this household before the disaster struck.

In contrast to numerous undead movies, The Elixir truly gives the audience enough opportunity to get to know its main personalities prior to the carnage ensues. We meet Nes, a married mother whose former close friend, Karina, has become married to Nes' father—a clearly uncomfortable situation. This has predictably led to a falling out among Nes and Karina. Then there's Nes' brother, Bang, who is kind-hearted but socially awkward, and he enjoys gaming alongside Nes' young son, Raihan. Nes' husband, Rudi, seems to have lately cheated on her. This household patriarch consists of her dad, who runs a popular natural medicine business named Wani Waras, and who appears focused on only two aspects: his work and his wife to his daughter's former best friend. Needless to say, this gathering proves extremely tense.

Engaged in the Conflict

I found myself so invested with this family's dynamics along with their interpersonal drama to the point I nearly forgot I was watching a scary movie—which might seem like a negative, yet in the end worked well. The Elixir dedicates a considerable amount of the film depicting us the identity of every family member is, and how they add to the overall dysfunction. This emphasis on conflicting personalities allowed the audience to relate to the personalities enough to care about their fate—a rare feat for this style that often presents characters just to kill them off soon after. The Elixir avoids portraying its cast as flat, disposable victims for an army of the undead to devour, thus it's a genuine shock once events eventually go wrong.

Evocative of Parasite

The opening scenes of the party and the multiple household exchanges in fact bring to mind the movie Parasite, a tale which disguises itself like a Korean drama featuring slightly dark comedy prior to taking an abrupt shift into shocking ground. These early scenes don't focus as much on humor as Parasite, yet The Elixir nonetheless gives sufficient time to settle into its world before it gets upended.

Original Zombification Source

The film additionally presents a fairly interesting explanation for the source of the spreading transformation. Rather than a unintended lab leak or some sort of bioweapon, the cause for this contagious disease originates in a new batch from Wani Waras herbal remedies developed by her dad. While we do learn a bit about how it started, I wish the movie had spent additional time on how Wani Waras went from a trusted purveyor of holistic medicine to creating a lethal elixir that appears to include an extremely infectious pathogen. Despite the limited context, the impact this affliction has on humans proves absolutely repulsive, and I appreciate. The Elixir's undead prove fast, bizarre in appearance, and, maybe most disturbingly, always smiling. This is a bold choice, yet it succeeds. The Elixir's practical effects and computer graphics are also quite convincing, and are almost certain to trigger a fear of holes.

Resourceful Characters

Even better compared to the gross-out scenes are the characters themselves. Of course, there are a few examples of dubious choices (as in any good undead film), however for the most part, Nes and her relatives show themselves resourceful and sharp. Additionally, they don't hesitate to strike an undead in the face, pierce it with a pitchfork, or beat it on the skull with the nearest blunt instrument they find instead of standing still like a deer caught in lights while danger approaches.

Believable Familial Discord

The Elixir doesn't abandon its themes of familial discord once individuals start turning into zombies, which was a pleasantly authentic subversion from the "We don't get along|"We have issues, but you almost died so I instantly forgive you for all your mistakes!" cliché often seen in end-of-world films. It's clear, Nes cares for her family and cares about her spouse, Rudi, yet it's equally clear she's still clinging to resentment over his betrayal in their relationship. When the family becomes split up, they agree over the phone to regroup at a close spot. However, once Bang admits he doesn't know the way to the location, Nes unleashes an immense amount of frustration on her brother that's clearly been building for years. Nes is not flawless, and her family—flawed as it is—seem realistic and relatable because the film avoids attempting to push the notion that a near-death experience instantly cures familial strife. This makes the moments when these characters express appreciation toward one another feel much more genuine.

Predictable Conclusion

In spite of The Elixir's strong efforts to break new ground, the conclusion is admittedly a bit stereotypical. The Elixir isn't really presenting any deep insight regarding relatives or community, as well. Instead, it's mostly delivering scares. But they're successful frights, and since the movie gives each character sufficient space to grow and doesn't punish them for having flaws, the outcome proves an engaging and entertaining

Written by

Alison Spencer

A passionate historian and writer dedicated to documenting and sharing the cultural treasures of Italy.

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